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Anatole France Feldman is primarily known as a pulp magazine writer from the late-'20s to the late-'30s. He specialized in gangland fiction, appearing primarily in Harold Hersey's gang pulps, ''Gangster Stories'', ''Racketeer Stories'', and ''Gangland Stories''. He also appeared in the rival magazines, ''Gun Molls'' and ''The Underworld''.〔"The Immortal 'Big Nose' Serrano," by Will Murray, ''The Pulp Collector'', Spring 1985.〕〔"The Decline and Fall of 'Big Nose' Serrano," by Will Murray, ''The Pulp Collector'', Summer 1986.〕 His best-known creation is Chicago gangster Big Nose Serrano. Big Nose began as a pastiche of the 1897 Edmond Rostand play, ''Cyrano de Bergerac''. Serrano's homely nose made him an unlikely romantic hero who thus composed love poetry for a better-looking associate. The plot and characters of the first Big Nose story, "Serrano of the Stockyards" (''Gangster Stories'', May 1930), roughly follow the corresponding elements in the play. Serrano's overwhelming popularity with readers brought him back for further adventures. The stories are unrelentingly violent, and often intentionally amusing, providing a unique fictional take on Chicago's gangland and the latter years of Prohibition. Feldman ended up publishing twelve of the Serrano adventures from 1930-35 in ''Gangster Stories'', ''Greater Gangster Stories'', and ''The Gang Magazine''. As the series progressed, the Cyrano angle was dropped, and Serrano became an unlikely crusader against the social ills of the Depression, albeit applying the gangster's methods of violence, kidnapping, and murder to the problems.〔''The Gangland Sagas of Big Nose Serrano: Volume 1: Dames, Dice and the Devil'' (Off-Trail Publications, 2008).〕〔''The Classic Era of American Pulp Magazines'', by Peter Haining (Chicago Review Press, 2001).〕 He stirred up a lot of controversy with the readers of Gangster Stories, with his novelette "Gangsters vs. Gobs," a story that improbably pitted the underworld against the Navy. The controversy filled the letters column for several issues.〔''Pulpwood Editor'', by Harold Brainerd Hersey (Frederick A. Stokes Company, 1937).〕 Feldman also wrote under a number of pennames, including Tony Fields, A.F. Fields, and similar derivations. In 1930-31, he co-edited the short-lived adventure pulp, ''Far East Adventure Stories''. Writing under a Standard Magazines house name, he authored some of the lead novels in ''The Phantom Detective''.〔''Danger Is My Business: An Illustrated History of the Fabulous Pulp Magazines'', by Lee Server (Chronicle Books, 1993).〕 He was married to fellow pulp-writer Hedwig Langer, who published under the names H.C. Langer and Beech Allen. In the '40s, they co-wrote plays. Feldman's first performed play had been ''The Red Thirst'' in 1920.〔"The Stuyvesant Players of New York," ''The Drama'', October 1920, pg22.〕 In the '40s, Feldman edited comic books for Hillman.〔"The Sky Wizard's Lost Origins," by Will Murray, in ''The Alter Ego Collection Volume 1'' (TwoMorrows Publishing, 2006).〕 Rocket Comics and Miracle Comics. Later that year he switched to editing true-crime and true confessions magazines for Hillman.〔Who's Who of American Comic Books Jerry Bails http://www.bailsprojects.com/bio.aspx?Name=FELDMAN%2c+ANTONY〕 ==References== 〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Anatole Feldman」の詳細全文を読む スポンサード リンク
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